Fauxthenticity is: pretentiously unpretentious, stylishly unstyled, mediated immediacy, effortfully effortless, signifying the non-symbolic, immaterial materiality. Romantic. Nostalgic.
The third mark of fauxthenticity: It discovers the imperfections of a previous technological medium in their aesthetic value.
Crumbled printing, faux-vintage newspaper framings, faux-vintage buttons.

Crumbled printing, faux-vintage newspaper framings, faux-vintage buttons.

The second mark of fauxthenticity: It expresses an aesthetic, non-commital choice. It need not be ironic, but it never flows from non-negotiable conviction or necessity.

The Faux-Vintage Photo, by Nathan Jurgenson

“This past winter, during an especially large snowfall, my Facebook and Twitter streams became inundated with grainy photos that shared a similarity beyond depicting massive amounts of snow: many of them appeared to have been taken on cheap Polaroid or perhaps a film cameras 60 years prior. However, the photos were all taken recently using a popular set of new smartphone applications like Hipstamatic or Instagram. The photos (like the one above) immediately caused a feeling of nostalgia and a sense of authenticity that digital photos posted on social media often lack. Indeed, there has been a recent explosion of retro/vintage photos. Those smartphone apps have made it so one no longer needs the ravages of time or to learn Photoshop skills to post a nicely aged photograph.

In this essay, I hope to show how faux-vintage photography, while seemingly banal, helps illustrate larger trends about social media in general. The faux-vintage photo, while getting a lot of attention in this essay, is merely an illustrative example of a larger trend whereby social media increasingly force us to view our present as always a potential documented past.”

Read the full essay here.

It’s not just sci-fi. I’m also depressed about the lack of future in fashion. Every hep shop seems to be full of tweeds and leather and carefully authentic bits of restrained artisinal fashion. I think most of Shoreditch would be wondering around in a leather apron if it could. With pipe and beard and rickets. Every new coffee shop and organic foodery seems to be the same. Wood, brushed metal, bits of knackered toys on shelves. And blackboards. Everywhere there’s blackboards.

Cafes used to be models of the future. Shiny and modern and pushy. Fashion used to be the same - space age fabrics, bizarre concoctions. Trainers used to look like they’d been transported in from another dimension, now they look like they were found in an estate sale.

— Russell Davies, something something something
idfarmer:

tumblr_lux5fiSeHF1qlhaino1_1280.jpg (1280×853), http://bit.ly/HuwmLa

idfarmer:

tumblr_lux5fiSeHF1qlhaino1_1280.jpg (1280×853), http://bit.ly/HuwmLa

(Source: idfarmer)

We are the Mods, via nevver
(Note the simple fact that vintage photography gets scanned, posted & reposted.)

We are the Mods, via nevver

(Note the simple fact that vintage photography gets scanned, posted & reposted.)

The first mark of fauxthenticity is that it calls itself “authentic”.